Working on an new secret project @derixglasstudios! —— “The event experienced and the visualisations (the coloured photisms) are synchronic and mutually verify each other, because they take part at the same time as the opening of the organs of light (the suprasensory senses) of the subtle physiology” - Corbin
“Meaning is invisible, but the invisible is not the contradictory of the visible: the visible has an invisible inner framework” - Merleau-Ponty
Light wills its occlusion. Sun already mediated. The opening of light in twilight language; enigmatic architecture of the meditative gaze
“What makes me bear a relationship with the world could be described as being like a Mobius Strip, in virtue of which the sides traditionally defined as ‘inside’ and ‘outside’ trace the obverse and the reverse of the unique circle of vision. Hence, in virtue of this circle, as Merleau-Ponty remarks: “we touch the sun and the stars...we are everywhere at once” - Carbone —— #model #modelmaking #suspendedsculpture #mobile #artmobile #studiotest #WIP
Concept image for ‘Deep Time’, an artwork still in development phase. ... The artwork asks: What is the spectral fingerprint of a place? A place is a crux poised between layers of time that stretch outwards in two directions: downwards, fossil records, buried strata of the light of the past; upwards, the ancient light of the stars. The spectral fingerprint of a place deals with its deep time—the light of its geological and cosmological past, interfaced by the elemental media that shape the now. Now-ness is an interactivity. In the installation luminous clouds of site-specific media objects and elements make up a crystalline, clock-like mechanism that can be moved and rotated by the viewer, co-composing the light of the place. ... “Two roads come together here: no one has yet taken them to the end. This long lane backwards: it continues for an eternity. And that long lane forwards - it is another eternity. They are antithetical to one another, these roads; they directly abut on one another: - and it is here, at this gateway, that they come together. The name of the gateway is inscribed above: ‘Now’”- Nietzsche
Fine art agency giving agency to fine artists @marinetanguyart @mtartagency in @guardian today!@saype_artiste @davidaiu @leocaillard @adelaidedamoah @clemence_vzrd
Epiphany at a Distance, 2018 ... 10m long site-specific installation @palazzoducalemantova #biennalelightartmantova
‘Quietude’ in daylight ... "These forms of transparence have another value, they allow me to see, beyond the succession of planes, other forms, there are hollows within hollows, intervals within intervals, these successions of planes, of thresholds, form a complexity transparent as a mirror, but a mirror that would not be a frame, a mirror that one could contemplate continuously from all angles, in front, to the sides, behind, a crystal ball where one would divine the future of the forms” - Paul Virilio
‘Quietude: Infinities’, site-specific installation for @arte.luce ‘Extended Mind’ exhibition ... “The interaction of the brain with its surroundings disrupts the traditional geography. The functional plasticity of the brain deconstructs it’s function as the central organ and generates the image of a fluid process, somehow present everywhere and nowhere, which places the outside and the inside in contact by developing an internal principle of cooperation, assistance, and repair, and an external principle of adaptation and evolution” - Malabou
Our light-mobiles take inspiration from Alexander Calder, whose suspended forms move with the flow of air to redefine the space around them as they move. These pieces use light to create a new perceptual relationship with the dimensionality of space, either using optical elements to interact with natural light in a play of form and colour, or by projecting a light cone that draws the 2D projected image into 3D space, so that it resonates with a new ambience.
Photographed here in natural light, the 13m long artwork ‘What Matters (The Scattering)’ explores the #deeptime of the #universe. The immersive installation was developed with computational cosmologists @durhamphysics for @artichoketrust @lumierefestival @durham_county_council
In the studio working on #optical compositions for #twilightlanguage on display @rosenfeldporcini until 13 July
’Cosmic couple’! @hiamag - thanks for featuring us, a really great article ‘written in the stars’ by @valentinamarianigram by way of @presenza_london
‘Subtle Bodies’, 2019 creates an interface between the built environment and the spacious luminosity of the sky. Dancing across this horizon, the cloud forms float skyward, crystallising in an alchemy of light and casting rainbow bodies into the surrounding space.
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Onedome presents The Unreal Garden, an immersive mixed reality experience featuring the work of a visionary group of world-class artists, and created by a team of technologists, innovators and storytellers.

Onedome presents The Unreal Garden, an immersive mixed reality experience featuring the work of a visionary group of world-class artists, and created by a team of technologists, innovators and storytellers.

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ART IN FLUX: Experiments in Media Arts Now

31st May - 3rd June 2018
Ugly Duck, 49 Tanner Street, London, SE1 3PL

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LUCID HAZE

REGINE SCHUMANN | SHUSTER AND MOSELEY | CLARE KENNY

SKETCH, 9 Conduit Street    ::    8 February - 15 April 2018

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Dillon + Lee at Art Miami

Per Fronth
Dan Halter
Katsumi Hayakawa
Robin Kang
Steven MacIver
Shuster + Moseley
Oswaldo Vigas
Humans since 1982

Dillon + Lee at Booth A302
December 5 - 10, 2017 | VIP Preview: Tues, December 5

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Aesthetic Art Prize 100 leading artists of 2018.

26th May to 10th September at York Gallery, Exhibition Square, York, YO1 7EW.

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Specially commissioned for 40 Portman Square by Mehtabell Projects,

July 2016 to January 2017. 

Please contact us for access to the online book: The Art of The Interface.