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SHUSTER + MOSELEY

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SHUSTER + MOSELEY

  • Present
  • About
  • Works
    • What Matters (the scattering)
    • What Matters (aura)
    • Deep Time
    • Aletheia
    • Zeppelin
    • Progress
    • Expanding Cones
    • Quietude
    • Evocations: Blazing Lamps
    • Contraction: map of bodies cast from space
    • Hidden Sun
    • Harmonic Lens
    • Light Paintings
    • Chiasm (Occlusion)
    • Living Through
    • Folds - Future Bodies
    • Horizon of Day and Night
    • Monolith
    • This Negative Autoscopy
    • Shattered Sky-Lens
    • Resting, empty
    • Antiprisms
    • TreexOffice
    • Reverie
    • Skyscapes
    • Cosmology Machine
    • Extramission
    • Cone and Sphere
    • Cosmographical Glass
    • Transmission of our Gaze
    • (e)mergence
    • Openings
    • Photoscopic Cosmos
    • Prismatic Sun
    • Blue Scopes
    • Aleatoric Glass
    • Nightscapes
    • Projection Cluster
    • Invisible City
    • Future Motions: Glass Ceiling
    • Crossroads
    • Aerial Arena
    • Hive Gallery
    • Peace Pods
    • Songlines
    • Open Door
    • Horizon
    • TreeHouse Gallery
    • protest
    • Layer's Lair
    • C'est ci...
  • Sketches
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"These forms of transparence have another value, they allow me to see, beyond the succession of planes, other forms, there are hollows within hollows, intervals within intervals, these successions of planes, of thresholds, form a complexity transparent as a mirror, but a mirror that would not be a frame, a mirror that one could contemplate continuously from all angles, in front, to the sides, behind, a crystal ball where one would divine the future of the forms." Paul Virilio
 

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"These forms of transparence have another value, they allow me to see, beyond the succession of planes, other forms, there are hollows within hollows, intervals within intervals, these successions of planes, of thresholds, form a complexity transparent as a mirror, but a mirror that would not be a frame, a mirror that one could contemplate continuously from all angles, in front, to the sides, behind, a crystal ball where one would divine the future of the forms." Paul Virilio
 

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